Friday, December 14, 2012
Poem: House of Glass
It's okay to be my age
These days I don't tell myself
A lot of things about myself
Because I'm a bit afraid of the
Way I might react to the sound of my voice
The world makes a lot of noise
Sometimes I wish to be deaf
Sometimes I wish to be blind
I long not to feel
What it feels like to feel
Because I feel peculiar when I feel
The world traps me in sometimes
Hurls me toward the centre of my shadow
Face to face with my mind
Unsure what I will find
In my eyes
I don't know if I'd like the truth
I always hated being lied to
I don't know what I want from myself
I'm scared of my heart
That fragile thing that carries me
I'm scared of the thoughts
That consume the machines
By which I breathe and through
Which I think of you
My inner mirror
I don't want it to shatter
I dread the sound of glasses at war
Breaking like crystal raindrops slamming
Against each other in midair
I'm afraid of myself
Tamed by my shadow
Disciplined by my dreams
Like a wolf with an attitude
Copyright. 2012. Raeez Jacobs Poetry.
Thursday, November 15, 2012
Gaga Wisdom
"Some women choose to follow men, and some women choose to follow their dreams. If you're wondering which way to go, remember that your career will never wake up and tell you that it doesn't love you anymore." - Lady Gaga
Extract from short story: A Darker Shade of Grey
A Darker Shade of Grey
by
Raeez Jacobs
I feel like a packet full of smoke, choked on the top by chubby hands.
My mind is adrift so many thoughts, as if my head is a boardwalk for these
soughts of things. Yet my mind is like the packet full of smoke; weightless and
questionable. Scientifically. Philosophically. I never question it, because I
hate getting things wrong, and my mind is the last thing I wan’t a fist fight
with. This feeling has been scarce, and I can’t say I’ve missed it. Only I know
it’s really familiar; I can be comfortable with it when I want to be, and I can
be real uncomfortable with it too. I keep feeling as if my room is a platform,
and a train would soon stop here, but all that materialises in the dimness, is
a soccer-ball-sized puff of steam. The train is one of the things in my head,
meant to represent something bigger than my inadequate imagination; something
by which I become a quintessential dumbass. A piece of shit, son of a
gun...call it whatever, the fact remains a fact.
The rain is just starting to fall, and I drown in every drop, like a meak
speck of atmosphere. My eyes meet the wet road; the gravel from which steam
rises, like a lane in a horror movie, and they stay there for hours. The clouds
roll and the air darkens, as if more blackberry essence is being poured into
the air by a servant of God. I think I can feel the wetness, yet I am indoors.
I hear the rain make war on my zinc roof, and I know I’m not going to bother
breaking my posture, to hell at deaf allies making so much noise above me.
Monday, November 5, 2012
[Poem] Toffee Skinned Goddess
Six-legged, nine arms
a goddess stuffed through
a dazzlig cincture
one-eyed in your shrine
choking on the brine
swirling like the twist
of a ballerina with sharp points
in the metro of your throat
jerking like a wind-smacked
postal pole with all your scarlet
letters turning upward like a UFO
and then raining down on you
like festive confetti
returned to sender
the repeat offender
calpable bender
with a little bit of she
in your masculinity
your skin is made of toffee
shining like vanilla floors when the
sun hits the windowpane
there ain’t no virgil going down
up your alley in your temple
but you feel the flame
feel the burn
as the torrent makes folds
and bangles of your loose
skin
you can’t grow accustomed
to the feeling
and your ears deafen
as you eavesdrop on the
screeching conversation between
your bone and your pulled muscle
that tear each other to shreds
while you try catch the drops of
confetti but they slip through
your fingers and disappear in the
palm of your hand
[Poem] Of You- R. Jacobs
everything reminds me of you
when i think back
in the tape of my mind
i see you turning in my stereo
and i hear your lungs
pressing out the music
coming from your sweet mouth
with your hands changing
the way the wind felt on my cheeks
i see your eyes as i see
two headlights in the night
with the same anxious heart
of a lonely traveller
taking my jeans and smirk
down some pretty dangerous roads
getting into an old Chevy
with some sweet thing
who listened to Pour Some Sugar on Me
at the loudest volume
and made me sweat like
a slave in hell
with shackles at my shaking knees
rattling like possessed sea shells
hot and bothered
directly exposed to the heat
that all reminds me of you
©RaeezJacobs. Poetry. 2012
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A piece of
-lambency
jumps from the verses
your
description glistens
you are the
torch of my poetry
when the
mist takes me hostage
you
beautify my sordid miasma
Awkward Turtles and Romps
I’ve been contemplating getting a
tattoo, for a long time now. I should
have been inked, around the time of my
birthday (May 3, to be precise)
but somehow, it just never materialized
as slated. Okay, I didn’t end up
getting it, because I was with a group
of friends, gallivanting the streets
of Johannesburg, like tipsy-still-thirty
gypsies. Literally, we were nomads.
but i won’t elaborate on that too much,
since this piece is about ‘my tattoo’,
not about the alibis and setbacks. I
remember the reaction I received, when
i reminded everyone that one of the
stops (of the many) needed to be made
that day, should have been at the
parlour; i could sense the disgruntlement,
although I do also understand that we
were under immense pressure, to
find accommodation and settle in, having
been on the road, literally, since
the night before.
I relented on the immediate need, and
decided (promised myself) that I could
just get it another time, and that it
really wasn’t such a huge kettle of fish.
But albeit giving up, I remained aware
of the rather irking fact that, I was not
always apt to save money, and that I
would most likely be able to do my tattoo
six times over, with all the money I
received, sporadically during the year, but
still wouldn’t end up inked, because of
the former fact, of my disposition to
spend, foolhardily.
The 2012 year is about to end, and
something I’ve wanted since the fall of the
previous year, might just remain a want
until the break of the new year.
I don’t want that to happen. I am going
to try with every corpuscle of
my being, to make this little dream
become a reality before i carry, what should
be considered: ‘an expired dream’, into
a year I’ve set aside for the
creation, development and emergence, of
so many other ambitions, goals, etc.
For those who don’t know, the tattoo
that I’ve been yearning to get on
my skin is; the outline (in bold and
black, not beautiful lines) of a tattoo,
with it’s stout legs pushed out at its
sides. The lack of detail has everything to
do with my simplicity, and also the
symbolism of it;
the
outer lines depict the shadow of the turtle
the
boldness of the lines symbolise the texture (in a sense), lending
to
the idea of strength (in relation to the turtle’s shell)-Ã the hard shell,
signifies
the face of exterior strength, and also the length and breath of
the
protection we assimilate, as defenses and to keep out what we
don’t
welcome in. The line is like a wall, in other words, except that
we
don’t live within the construct, we are it, and the walls are
bold
and thick, emphasising that we have strong bodies and spirits, but
mostly
that we are unimpressionable and our mental state is able
to
perservere influence.
The turlte became sort of an influential
‘figure of fauna’ to me, around the
time i started enjoying my trips down
marijuana avenue, with my crazy antics,
illusions and artistic paraphernalia
like, viz. my poetry pads, pens, notebooks, and
imagined realities.
The turtle was then used, to let one
another know, if the other was already high. In that way,
we would all be cognisant of the state
we were in. That was it, really. However, turtles had
long since stood out for me, because of
how dissimilar they are to other animals, and how
their speed is criticised. I believe
that, it was this criticism which somehow made me privy, of the
entitlement assumed, destructive
criticism given, and the judgements handed out by humans, extending the
criticism, control over, and judgement of other human beings to animals, in a
global and evolving world. The turtle is almost like me, though I am anything
but slow; I tend to slow down, casually, to peruse what’s happening around me,
and I might even take a while to get going again. I’m comfortable in my shell-
my outer experience, and it’s of great importance to me, because not only does
it encase my organs, but it’s a point by which I am perceived, socially.
Irrespective of whether such a perception affects me or not, my physical
appearance matters to me, not only for partial veneration and admiration from
others, but it’s also something I can contain and construct my qualia (innate
reality); my mental world is concealed, and kept private through my outer
frame. Exactly, the way turtles are concealed within their shells.
Example of Turtle Outline for tattoo |
Picture from my birthday weekend, with Azizza and Chanelle |
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Friday, October 19, 2012
Through the wall
Last night in the room together
and suddenly we start to feel
the weight of the word, forever
press down on our minds,
thoughts, assumptions, and
crippling existences
the very last hour
like this- arm in arm,
or whatever you would like to
call it
the final moments
of our union;
the split occurs here
suddenly, we know fear
and realise that, we had
never really been scared
before our amalgamated clocks
began to tick away
edging toward the end
it was meaningless and empty
back then
it was just about screaming
and exuding steam
like Victorian trains
stuck within concrete tubes
on the most tired day lived
no we know
both of us, twine as
moon and night
sun and day
what the world feels like
soon as emptiness begins to form
in the shape of each other's aura
so we hold each other so close
as if infinity would somehow
begin to move through
our joined arms
as if we could imprison each other
in the thing we were trying
to build
they won't understand
what happened to me
that night
the poet's fail at it
and so do the wise
but I can tell you do
by the way you bat your eyes
-Raeez Jacobs
and suddenly we start to feel
the weight of the word, forever
press down on our minds,
thoughts, assumptions, and
crippling existences
the very last hour
like this- arm in arm,
or whatever you would like to
call it
the final moments
of our union;
the split occurs here
suddenly, we know fear
and realise that, we had
never really been scared
before our amalgamated clocks
began to tick away
edging toward the end
it was meaningless and empty
back then
it was just about screaming
and exuding steam
like Victorian trains
stuck within concrete tubes
on the most tired day lived
no we know
both of us, twine as
moon and night
sun and day
what the world feels like
soon as emptiness begins to form
in the shape of each other's aura
so we hold each other so close
as if infinity would somehow
begin to move through
our joined arms
as if we could imprison each other
in the thing we were trying
to build
they won't understand
what happened to me
that night
the poet's fail at it
and so do the wise
but I can tell you do
by the way you bat your eyes
-Raeez Jacobs
©RaeezJacobs.2012.Poetry
Sunday, October 14, 2012
Poem: Between Hearts
Your
heart and Mine
between
your heart and mine,
there is
a space of,
bewilderment
and wonder
there
are questions,
becoming
edgy,
between
your heart and mine
there
is no other disagreement,
but our
own fear, brewing
between,
your heart and mine
time flows,
as it should flow,
and feelings
go,
where
feelings usually go,
between
your heart and mine
now-
the
stars don’t shine, the torches never glow,
yet, there
was once a spark
between
your heart and mine
lit up,
like an amusement park
an arm away
from an
embrace,
an hour
away
from
your gate,
your world is an open
book,
my world, is
your story
and
there, are no errors,
between
your heart and mine
tensions
are nascent,
between
your heart and mine,
and neandethal
feelings
are
discarded,
but
beautiful things remain,
while
compliments fill
the
balloons floating,
from
your heart, to mine,
so they
burst from airs and graces
there
is a
silenced
secret,
and suppressed
emotion, twirling
in the
space, between your heart and mine
there
are words, questions,
curiosities,
lights waiting to glow,
answers,
desires,
and events,
between your heart and mine
there
are things to
anticipate,
dream-of,
and
decipher, between our hearts;
there
are unspoken languages,
contrived
laws, and a collision,
of red
hot feelings- crashing into each other,
like two
planets merging-
worlds diverging, between
our
aching hearts,
and
gravity
flows, eternally
through
the vents
of my heart,
into yours,
so both
our hearts,
are
calmed, void o’ fury,
and
unintimidated by
the
love jury,
and
both our hearts,
are
carried by,
the
force of nature
we
never show it,
though
it is live;
there
are performances,
on the stages, in the
spotlight,
between
your heart and mine,
hence, we
become so broadway that,
no
thick line
can
cross out, the way we feel;
turning
through the Hollywood wheel,
we’ve
got fame out our feet,
and
take to the arts, for theraphy;
beneath
a creavity canopy
there
is a silenced,
longstanding,
robust,
and an
unblemished aura
circling
and flappin’
through
the rings and clouds,
in the ambience
between your heart and mine
there
is a whole
other
world, no man alive
could
build, with his
bare
hands or heavy tools;
constructed
in, the urban setting,
between
your heart and mine
I know
I’ll be fine,
and you
will be too
because
each and every one,
of your
heartbeats,
reassure
and console me;
every
second of your life, adds
another
mintute to mine...
implying
that, there is one ending
between
your heart and mine,
therefore,
we will perish, identically,
then
together in the underworld, we will
continue
to be
as only
you could
see,
what everyone
else
was blind to;
my
breaking points-
moral
hypotheses; experiments,
to see
what would happen,
should
i witness you fade,
becoming
so paranoid
that,
for
days,i swam through my horoscope,
as if
there were chemicals,
on the
page,
that
could cease, whatever
the
stars perceived as trauma,
or as
if i could dive, straight into hope,
desperately
trying to make time
become
less fractious, and
praying,
for emotional traffic, to flow
freely
in the passages between
your
heart and mine
as if
the soul of the sign,
and the
astrologer’s orotund prediction,
would
make it less malice,
and
more milignant
operative
upon
our own
train ride,
with
nothing to hide,
in our
hearts; goin’ round the track,
‘til we
came back, with our
Heads,
pregnant, heavily, with
ideas,
and things to say
and it
was then, the tunnel
was formed,
between your heart and mine
so that you could, walk-in
on my lies, and see them, before
they were even formed,
so that i could sleep, in the hazel
duvet ,of your eyes, covered by
your lashes, soft as feather
you
knew how i ascended, and
descended,
like
interrupted
surprises or ecstasy,
when
you were too scarce
for me,
to dial your number,
and sit
still, with your voice
caressing
the inside of my ear-
you
altered by the seams,
and we
graduated from an era;
an age
of unseen,
enchanting,
and different
ways,
or diverse shades,
of the
same day,
making
all the difference;
testing
me, and tempting me,
to
submit my body, and soul-
clinging
to a celestial pole
but,
strength
differed now;
the
cavity in which it bred,
had it
purling- stirring,
all the
miseries, under the bed,
power wanted to
mimic the head,
and
slice through, what should
not
have been said, while all the heart
did,
was try,
not to make, the eyes see-
that it
was sadly,
bucking
away, against a
few
dislocated ribs,
in the
lampshade
shaped
chamber
because,
it was too
afraid
of the conscious,
bereft-of-thorough-thought, kind of mental state,
we adopted,
when we were suffocated by fate;
casting
out meaningless anger, and hate,
while
meandering, shyly,
between
your heart and mine
we
depended upon,
abusing
each other,
and
once, i was still holding on,
and
trapped
in your
shadow, when you
turned
to go;
abandoning
me- leavin’ me
to hang
there, raped by
rough,
autumn air,
in the
orgy of wind, smaking
me,
from side to side,
‘til i
erased that
thick
line, separating,
your
heart from mine
and
decreased
the
distance,
between
your our hearts,
because
there could be no
gaps or
cracks,
between
your heart and mine
-Raeez Jacobs
©RaeezJacobs.2012.Poetry
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Gorgeous Award
In retrosepct, Britney Spears has never surfaced as the kind of celebrity who filled the 'best-dressed' or 'most fashionable' sections of our many fashion mags and ezines out there. She has always been plonked into the opposite section; 'worst-dressed' and 'what were you thinking', since her inception in the late 90s. Over the years, Britney has had a selection of outfits that have been glamorous and fabulous, like the skin tight and revealing little number she wore to the NRJ award in 2002 or that lace mini dress, she dorned to the VMAs a year earlier. There have been some questionable outfits, like the orange and purple mess for the billboard awards in 2000.
Ever since becoming a judge on X factor and her illustrious shoot with ELLE in Septermber, Britney has been looking good, and fashion honcho's have been marvelling at her panache selection of dresses, and other outfits recently. Britney has matured, in more ways than one and more than just her sexual appeal is highlighted when thinking of her. This Britney is classic, yet laid back. This Britney is empowering; a Femme Fatale whose role is neither in the fashion world, nor in the twisted world of sexual attraction, but inside a world, where control comes having experience, and where looking good doesn't need to be emphasized, for the attraction of followers, looking good is just about looking and feeling good. Essentially.
Britney Spears in see-through, mini dress at 2001 MTV Video Music Awards |
at the 2000 Billboard Music Award in this very eyebrow raising outfit |
Ever since becoming a judge on X factor and her illustrious shoot with ELLE in Septermber, Britney has been looking good, and fashion honcho's have been marvelling at her panache selection of dresses, and other outfits recently. Britney has matured, in more ways than one and more than just her sexual appeal is highlighted when thinking of her. This Britney is classic, yet laid back. This Britney is empowering; a Femme Fatale whose role is neither in the fashion world, nor in the twisted world of sexual attraction, but inside a world, where control comes having experience, and where looking good doesn't need to be emphasized, for the attraction of followers, looking good is just about looking and feeling good. Essentially.
Rocking the Cover of Elle's September 2012 issue. |
FAVOURITE: Britney at City of Hope Gala 2012, October 20 in Los Angeles in this chic Halston dress and Alexis Bittar Jewelery. |
Various looks for the X Factor 2012. |
At the Grammy's tribute to Whitney Houston, 2 nights ago in this Gray Level Courture dress |
As a fan, I am extremely proud to see Britney in such a positive place, and around so many good people, who aren't there to exploit or take advantage of her. Her life has been ameliorated, and she has returned to grabbing all the right headlines. Keep it warm, light, and positive Ms. Spears
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